For further details please contact Vibha at - Vibhapartist@gmail.com
Ethereal city (2023)
This oil painting is a reminder of my numerous visits at the city centre when we were making our way to a festival venues.
Oil on canvas
60 x 60 cm (73 x73 cm)
The forest (2025)
Oil on board
48 cm x 48 cm (with frame)
Finding the space (2025)
Oil on canvas
64 cm x 54 cm (with frame)
Boundless Bounty (2020)
The Pentland woods and paths provide immeasurable freedom. Youngsters enjoying the nature’s bounty, particularly during the 2020 lockdown summer is the inspiration for this work.
Oil on canvas
70×70 cm (75×75 cm with frame)
The morning light (2025)
Oil on canvas
48 cm x 48 cm (with frame)
The rhymer’s eildon tree (2020)
The tree that once stood tall at the Pentland hills. This tree reminds of me of the legend of Thomas the Rhymer who once stood under a tree where he met with the fairy queen.
Oil on canvas
70×70 cm (75×75 cm with frame)
The Labyrinth (2023)
The complex maze of trees and foliage has an elegant secretive order.
Oil and marble dust with PVA glue on canvas board
39 x 39 cm (46 x 46 cm framed)
Emerging hope (2021)
The fire within us that is never extinguished, helps us carry on with a new hope for a better world.
Plaster of Paris with adhesive and dry pigment with oil paints on board.
30 x 30 cm (unframed)
Meditative reflection (2023)
Emerging from self-reflection, questioning our beliefs – is progress really rehashing the past?
Oil on canvas
60 x 60 cm ( 73 x 73 cm framed)
The Enduring (2020)
Glass half full and half empty but we need to continue to endure.
Oil on canvas board 29×29 cm (46×46 cm, double mount with frame)
Not alone (2023)
I was inspired when I met a small tree on Pentland hills that was shining brighter and inspiring others – including me.
Oil on Canvas
60 x 60 cm (73 x 73 cm framed)
Ephemeral darkness (2020)
Using a limited palette seemed a nice way to portray the light shining through the trees and that the sunrise is just a moment away.
Oil on canvas board 29×29 cm (46×46 cm, double mount with frame)
The shoreline (2018)
Imagined hills and shores of the Firth of Forth – viewed when landing at Edinburgh airport.
Plaster of Paris and dry pigment and oil paints on board
42×59 cm (45×62 cm with frame)
Waiting for spring (2021)
The woods and paths provide immeasurable pleasure in all seasons. Looking through the mind’s eye, the trees in winter - whether small or big - seem to be waiting for spring to arrive to show off their colours.
Oil on canvas board 70 x 50cm (84 x 63 cm with frame)
spring has wings (2021)
The snow topped trees shining in the winter sun reminded me of the colourful and joyful spring that awaits us.
Oil on canvas board 70 x 50cm (84 x 63 cm framed)
My Earth’s Gravitas (2024)
Memories of wandering in the unending natural spaces having fun with friends has inspired this painting. The wide expanses of land, waters and sky have come together as a day dream.
Oil on canvas
90 x 90 cm
Pathways (2023)
While having no boundaries in nature, man-made bridges can become an instrument of maintaining distance and control.
Oil on canvas
80 x 100 cm
persistent change (2023)
Change is the norm, sometimes glass half full and half empty but we need to continue to endure.
Oil on canvas
60 x 60 cm ( 73 x 73 cm framed)
Rivers of calm (2021)
The calm waters of rivers provide a serene and welcome retreat from the maddening crowds.
Oil on canvas board with plaster of Paris with adhesive and dry pigment 70 x 50 cm (84 x 63 cm framed)
Ephemeral darkness again
(2023)
Using a limited palette seemed a nice way to portray the light shining through the trees and that the sunrise is just a moment away.
Oil on canvas
60 x 60 cm ( 73 x 73 cm framed
THE CONFLUENCE
(2019)
Texture, variation of media and audacious colours used to depict go as you want and grow as you like.
Plaster of Paris, pigment and oil paints on MDF board.
60×41 cm (64×44 cm with frame)
home with sparrows
(2020)
Pentland woods - home to birds and squirrels where - the sun streams through creating a speckled curtain of light. The birds singing at the top of their voice is a welcome sound of tranquillity, peace and harmony.
Oil and cold wax on canvas 40×40 cm (45×45 cm with frame)
(Sold)
Bridges (2024)
Memories of wandering in unending expanses where land, water and skies have come together has inspired this painting. While there are no boundaries in nature, man-made bridges can sometimes become an instrument of maintaining distance and control.
Oil on Canvas, with marble dust mixed with PVA glue and dry pigment
50 x 50 cm (54 x 54 cm framed)
(Sold)
Summer stream (2023)
Vegetation and cascade join together to create an alluring landscape in a Scottish summer.
Oil on canvas
39 x39 cm (46 x 46 cm framed)
(Sold)
SKIERS IN THE SWISS ALPS (2023)
The sun brings out the colours of the Swiss Alps with a calling to enjoy the bounties of nature.
Oil on canvas
39 x 39 cm (46 x 46 cm framed)
sols
At the Eildon Tree
(2020)
The tree at the Pentland hills is inspired by the legendary story of Thomas the Rhymer who met the Queen of the Fairies.
Oil on canvas board
28×28 cm (39×49 cm with frame)
(Sold)
radiance of hope (2020)
Inspired by fairy-tales of bright, dark and fun times. The ubiquitous trees are always a source of hope, happiness and colour.
Oil and cold wax on canvas 40×40 cm (45×45 cm with frame)
nature’s charm (2021)
The winter snow provided a charming display of warmth and joy fulfilling the dream of a white Christmas.
Oil on canvas 76 x 62 cm
Layered light
(2020)
Inspired by the fluid layers of light generated in the morning sun – from Braids to Blackford.
Oil on canvas board
29×29 cm (46×46 cm, double mount with frame)
(Sold)
Missives of Nature (2020)
the Scottish hills and the moody sunset of winter continues to enliven and deliver its message of hope.
Mixed media, oil on canvas 76×61 cm (81×66 cm with frame)
Sufussed Brightness (2020)
Varying brightness of sun through the trees of the Braid Hills golf course exude a multi-coloured promenade.
Oil on canvas 40×40 cm (45×45 cm with frame)
The edinburgh horizon (2020)
First light in the Scottish capital city. Historic Scotland stands proud in the new light.
Oil and cold wax on canvas 40×40 cm (45×45 cm with frame)
Everlastingly (2023)
Scottish oak and juniper interspersed with my memories of the banyan tree inspired this image. Then peaceful shade with the Firth of Forth in the background is unquestionably from Edinburgh.
Oil on canvas 70×70 cm (75×75 cm with frame)
Sold
Fearless (2021)
Kite – fearless in the sky. The free spirited nature brings out the fun spirit amongst the mortals and the immortals – all flying high.
Oil on canvas board 28×38 cm (39×49 cm with frame)
Walking Home
(2019)
Acrylic on paper 38 x 48 cm
Sold
CAREFREE ABANDON (2019)
Texture, variation of media and audacious colours used to depict go as you want and grow as you like.
Oil, plaster of Paris and acrylic ink on canvas
35×29 cm (51×45 cm, double mount with frame and glass front)
Sold
missing edinburgh festival (2021)
Missing Edinburgh Festival
The cancellation of the Edinburgh Festival in 2020 inspired me to paint the distant sparks of lights on a dark lockdown night.
Oil on canvas board 40×50 cm (44×54 cm with frame)
Ethereal city (2019)
An imagined city or real Edinburgh.
Water colour and gouache on paper
20×29 cm (38×40 cm, single mount with frame and glass front)
Sold
Morning mist at Flotterstone (2018)
The luscious beauty of Pentland hills provides the inspiration for many of my paintings. The use of mixed media and texture is to emphasise the ever-changing seasonal ambiance of the countryside.
Mixed media on paper
29×29 cm (49×49 cm double mount with frame and glass front)
(Sold)
Free spirit
(2020)
Kite – fearless in the sky. The free spirited nature brings out the fun spirit amongst the mortals and the immortals – all flying high.
Oil on canvas board 38×28 cm (49×39 cm with frame)
Miles to go
(2019)
This painting is inspired by the recollection of stories of Buddha leaving his worldly possessions in search of the nirvana.
Acrylic and ink on paper 47×33 cm (66×52 cm, double mount with frame and glass front)
Hidden secrets at Loch Leven
(2019)
Shadows of trees and bushes in the waters of the loch create a secretive environment – are they hiding something.
Acrylic on paper 20×21 cm (39×40 cm, double mount with glass front frame)
Sold
Promises cast in stone (2018)
Balanced, synchronised yet chaotic assurances from nature.
Acrylic and plaster of Paris on paper
22×31 cm (44×53 cm, single mount with glass front frame)
Returning tides (2018)
The tides returning at Port Seton Harbour creating patterns in the sand.
Acrylic on paper
24×17 cm (42×33 cm with frame)
Purple Rain (2018)
Clouds and rain as perceived through the mind’s eye.
Acrylic, powdered pigment and plaster of Paris.
21×21 cm (25×25 cm with frame)
